Digital imaging

Advanced technologies and digital solutions
for the conservation of the artistic heritage

High-Res Photography
Immersive Photography
Cataloging
Fine-Art Replica

Digital imaging

High-Res
Photography

High-Res photography documents artworks in fine detail and in a reliable manner: paintings, sculptures, archival documents, photographs and more.

Its usage in the artistic sector has several purposes:

 

Preservation
Promotion
Divulgation
Education

For digitization projects, we provide very high resolution digital acquisition services (up to 550 ppi) for Museums, Collections and Cultural Institutions.

We develop and utilize specific technologies such as TruepXL®, a software that identifies the best resolution for digital image creation, initiating the digital acquisition from a physical object.

digital-imaging

Digital imaging

Immersive Photography

Immersive photography reproduces real places, making them navigable in all directions, via web or smartphone applications.

You will feel as if you are literally immersed in the reproduced scene, and you will be able to explore the landscape in an interactive way: both by moving from one photograph to another, as well as by having access to detailed information. 

Digital imaging

Cataloging

We utilize a multidisciplinary approach in all our works, combining skills in the digital transformation sector, historical-artistic knowledge, and technical-scientific education for cultural heritage conservation.

This allows us to:

Create and manage digital archives
Associate resources and information with records
Analyze artistic techniques
Evaluate the object's state of conservation
Plan rehousing interventions

Digital imaging

Fine-Art
Replica

A Fine-Art replica is the artwork’s 1:1 physical replica, and it can be done thanks to digitization.

Reproductions allow visitors to overcome the limits of the physical places where the original artworks are preserved.

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OUR PROJECTS

Harvard University (Florence)

Bernard Berenson’s photographic archive and "homeless collection". The Harvard University Center for Italian Renaissance studies, Florence - On-site digitization of Villa I Tatti artworks (about 35,000 originals in different formats and media)

Nederlands Interuniversitair Kunsthistorisch Instituut (Florence)

Dutch University Institute of
Art History - Digitization of the photographic archive (about 35,000 originals: prints and plastic films)

Democratici di Sinistra Archive (Florence)

Digitization of the historic photographic archive: prints and documents (approximately 90,000 originals) and digitization of the historic photographic archive pertaining to Antonio Gramsci (approximately 10,000 originals)

Uffizi Galleries (Florence)

High resolution digitization through digital photographic acquisition of 1,300 artworks

Innocenti Museum (Florence)

High resolution digitization through digital photographic acquisition of 100 artworks and frescoes; digitization of a portion of the ancient documents and books

Opera del Duomo Museum (Florence)

High-resolution digitization through digital photographic acquisition of 100 artworks and high-resolution digitization of the most important productions of the Opera del Duomo Museum (Croce del Tesoro, Altare di San Giovanni, Porta Nord, Porta del Paradiso)

Santa Maria del Fiore Museum (Florence)

High resolution digitization through photographic acquisition of the Baptistery’s mosaic and the cycle of saints

Fava Palace (Bologna)

High definition digitization through photographic acquisition of the cycle of Jason and Aeneas’s frescoes

San Colombano Palace (Bologna)

Digitization of the Tagliavini Collection dedicated to ancient musical instruments

Scala Archive (Florence)

Digitization of the photographic archive: 70,000 originals including plastic films

New York University (Florence)

Digitization of the photographic archive of the Acton Family, about 25,000 originals including prints, plastic films, glass plates, old photographic books and more

City of Florence

High resolution digitization, through photographic acquisition, of all the Palazzo Vecchio rooms and the digitization campaign of the Unesco Center of Florence (about 2,000 shots)

Ente Cassa di Risparmio Foundation (Florence)

Digitization of the art collection (about 500 paintings, 200 drawings, 100 statues, 100 objects and more than 25,000 pages of notebooks and sketchbooks)

Firenze com’era Museum (Florence)

Digitization of historical journals (about 45,000 pages)

Roberto Longhi Foundation (Florence)

Digitization of the entire Longhi Archive, including private correspondence, notes, photographs and scratch books. This project is still in progress.
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